![]() Throughout the years, Berthold has expanded this extremely popular and versatile family. They gave Akzidenz-Grotesk the ultimate accolade a typeface can have: a functional, formal rightness, transcending the whims of fashion.” ![]() Karl Gerstner said of Akzidenz-Grotesk, “It is the work of anonymous typecutters: craftsmen, specialists, whose professional background and experience meant they were familiar with the finest subtleties and principles, and not just those of Grotesque. In Berthold’s specimen booklet (Schriftprobe) number 444 released in December of 1957 Akzidenz-Grotesk mager (light) was referenced as Royal-Grotesk in parenthesis. ![]() The design originates from Royal Grotesk light by Ferdinand Theinhardt who also supplied the regular, medium and bold weights. Akzidenz-Grotesk Pro+ is available in CFF PostScript flavored OpenType.Īkzidenz-Grotesk, the original sans and most influential grotesque, was first released by the Berthold type foundry in 1896 (as “Accidenz-Grotesk”). Berthold announces the release of Akzidenz-Grotesk Pro+ with Cyrillic and Greek support for all 30 fonts in the collection as well as language support for Central European, Baltic and Turkish.
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